The work of Portishead co-founder the musician-producer, this sharp-edged if slight debut feature turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to break into his own parents. Before you can say, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The central theme – that the rave-era youth were primarily out for number one – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher arrives, fuming after David kills his dog. Still, a grimly amusing duel takes hold – David desperate to escape; the Woodsman denying his container of scrumpy, intent on soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single important plot development, but it results in a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.
The film is in British and Irish theaters from 17 November.
